Melodic Tapping Compositions
Flowing melodic lines using tapping as the primary technique. Move beyond patterns into actual musical phrases across multiple strings.
Tablature
First few measures of the exercise.
How to Practice
- 1Measures 1-2: A minor melody across strings 1-2 using tap-pulloff-hammer sequences. The melody should sing, not just sound like exercises.
- 2Measures 3-4: Wider string jumps — tapping on string 1 combined with bass notes on string 3. Think like a pianist.
- 3Measures 5-6: Full composition piece — melody moves across strings 1-2-3, combining taps, hammers, and pull-offs into a complete musical phrase.
- 4Focus on musicality: dynamics, phrasing, and making every note intentional.
Tips & Techniques
- •Think like a pianist — your hands work independently but create one musical statement.
- •Let notes ring into each other where possible for a legato, flowing sound.
- •Vary your tap attack strength to create dynamics — not every note needs the same volume.
- •Record yourself and listen back — does it sound musical or mechanical?
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Ćwicz teraz →Related Exercises
Tapping Triadic Cascades
Two-handed tapping triads on strings 1-2. Tap the high note with your picking hand, then pull-off and hammer-on with the fretting hand. Builds clean articulation and muting control.
Tapping – Simple Melody
An Am pentatonic melody on the high e string where both the tapped note and the pull-off target move independently. Every two notes form a melodic interval — a descending third, a fifth, a step. Quarter note pace so every note has room to breathe.
Tapping – Two-Voice Phrase
A two-string tapping phrase where both voices move independently — no note stays the same twice in a row. String 1 carries the upper melody, string 2 echoes a third below. Both the tap note and the pull-off target vary each half bar, so the hands are always doing something different.
Tapping – Descending Target Drill
Each measure the tapping hand drops one fret lower (from 17 down to 12), then climbs back up. The left hand stays frozen at fret 5. You cannot slide your way to the target — every tap must land accurately on a new fret from above. Trains right-hand spatial awareness and fret targeting.